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I knew this was something we would do at some point, so I was looking for the right form to do it.” He said then he wasn’t ready but when he was, he would share his story with me. “My background is in radio, so I initially thought of doing Amin’s story as a radio documentary. “In radio, you don’t have an image, but by getting someone to lie down, close their eyes and talk in the present tense about things that happened in the past, they start to generate images inside their own head - images they pass on to the audience.” The interview technique, which you see in the film, it looks like therapy but it actually comes from radio,” says Rasmussen. Most of the film’s modern-day scenes were closely modeled on footage Rasmussen shot with Amin. Courtesy Of Final Cut For RealĮven as Rasmussen, whose previous documentaries include Searching for Bill (2012) and What He Did (2015), expanded the project, developing it as a feature documentary, he stayed fairly conventional, shooting his interviews with Amin and doing standard doc coverage: Amin driving a car, Amin in the kitchen with Kaspar, Amin arriving home at the Copenhagen airport from a trip to New York.īut as their interviews progressed and Amin got deeper and deeper into his own past, he became more concerned about losing control of his story. He didn’t want to be identified by the audience, to have people approaching him on the streets in Copenhagen asking him to retell his trauma. “The animation was a way to keep Amin anonymous,” says Flee producer Monica Hellström.

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“It also helped solve the problem of how to depict sequences from his past, things we couldn’t film in a normal documentary.”Īnimation director Kenneth Ladekjaer worked from the footage Rasmussen had shot, closely copying aspects of Amin’s style and behavior - “the way he gestures and speaks, how he wipes his tears away when he cries” - while making slight alterations to protect the identity of the real Amin.

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Cartoon animator 4 make longer movie how to# “We didn’t trace the image or use rotoscoping, but we keep very close to how he was as a person,” says Ladekjaer.

“It was important he didn’t end up as a caricature. Cartoon animator 4 make longer movie full#.Cartoon animator 4 make longer movie how to#.